Braque began creating prints early on in his career, venturing into lithography in 1921. The process fascinated him as it was similar to painting and he was able to produce works of art that had visual intensity rather than accuracy.
Braque would sometimes leave a painting unfinished for decades.
We use archival inks on museum quality, medium weight paper for all our posters. Thus ensuring your piece is long-lasting and beautifully finished.
Our frames are made from locally sourced, sustainable Victorian Ash. The timber is milled, hand sanded and painted, right here in Melbourne. We use museum grade plexiglass for a very modern gallery look.